“Back in the early ‘90s, I got hooked on Sonic The Hedgehog for Sega Genesis and I just couldn’t stop playing it,” he explains. So we can thank video games for giving us the opportunity to hear more music from John Carpenter, and there’s one particular game that kicked off this lifelong obsession. But collaborating with his son Cody and Davies, he put together 2015’s Lost Themes, an album that led to a series of live shows and two subsequent records, 2016’s Lost Themes II and this year’s Anthology: Movie Themes 1974-1998. Carpenter’s interest in music is no secret, he composed the iconic Halloween theme and many other acclaimed movie scores, including Escape From New York and Assault on Precinct 13, after all. These family gaming sessions often included his godson Daniel Davies and eventually turned into jam sessions. He’s much calmer playing games, I’m always freaked out.” It was just a whole lot of fun,” he remembers. “My son would play as he was growing up and introduced me to various games and I went through the gamut. For the legendary director, gaming is still fun. He’s occasionally contributed to the art form – most notably in F.E.A.R. The 69-year-old director, writer, composer, editor and producer started off small with the low-budget sci-fi comedy Dark Star back in 1974, but since the global success of the Halloween franchise, his name has been synonymous with horror.īut even horror maestros need a hobby, and Carpenter has long been an enthusiastic video gamer. There are few auteurs as deserving of the title “Master of Horror” as John Carpenter. Next up, legendary horror maestro John Carpenter recalls how the frustrating-but-addictive Sonic the Hedgehog inspired a twilight career in music. Level Up is our new series where we speak to musicians about their favorite video games.
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